Civic Pride
Good(-looking) government in Arthur Drooker C’76’s City Hall.
Passages to India
Images—9,000(!)—from an extraordinary life.
Facing the Refugee Crisis
Alumni couple’s Power of Faces project highlights refugees’ humanity.
My Own Private Iowa
Buildings under a big sky.
Beyond the Binary
For 40 years, Mariette Pathy Allen GFA’65 has focused her camera on gender identity and expressions of gender. Through portraits of men who identified as crossdressers in the 1980s—and later, through photos of the transgender community and trans rights movement—she has shined a light on people who were often pushed to the margins of society. Some consider her the unofficial photographer of transgender life. But finding her place in the fine art world has been another story.
The Imperfectionist
Celebrating the “intrinsic beauty of the imperfect.”
Three Ways of Seeing Rome
Three Women Photographers in Rome at Arthur Ross Gallery.
Mark Ayzenberg C’09 Won’t Quit His Day Job
Orthopedic surgeon Mark Ayzenberg C’09 can wield a Nikon camera with as much finesse as he can an arthroscope.
The Shadows Know
Nadine Epstein C’78 G’78 and her iShadow.
Take Ivy, Take Two
33 to 40 offers a “snapshot of Penn at a very specific moment”
Unconventional
Photographer Arthur Drooker C’76 has trained his lens on American Ruins and Lost Worlds. His new collection, Conventional Wisdom, covers his strangest territory yet.
Living Color
William Ferris G’67 Gr’69’s “visual journal” of the South.
Wasser World
Julian Wasser’s photographic love affair with Hollywood began more than half a century ago. He’s been loving and hating and shooting it ever since.
Ghosts of Segregation
Barren campus. Without Regard to Sex, Race, or Color.
Of Monsters and Men
James Mundie CGS’97 documents “interesting people” in Exhibitionists.
Flying Flotsam
Window, Nov|Dec 2015