An All-American Odyssey
American Odyssey at Arthur Ross Gallery
Cup O’Doodles
Artist Gwyneth Leech C’81 started drawing on used paper cups as a distraction when she got “antsy,” but “then it began to really take over.” A few hundred cups later, she spent six weeks doing the same thing while sitting in a window in New York’s Fashion District in an exhibit called Hypergraphia.
Artist with a Syringe
Artist and cosmetic-surgeon Eric Finzi C’77.
Art With Punch
Worth 1,000 words.
At the Mosque Door
Painting by Osman Hamdi Bey, who played a major role in the Penn Museum’s first archaeological dig, at Nippur in the late 1800s.
Who’s Who?
Thomas Eakins’ The Agnew Clinic
Brush with Reality
Abdi Farah C’09
Painting a Message of Melting
Diane Burko GFA’69
Osborne’s Woman with Red
Elizabeth Osborne FA’59’s Woman with Red
The Penn Reading Project Takes on the Painted Word
Class of 2013 to “read” Eakins’ The Gross Clinic
Landscapes of the Industrial Heart
John Moore retrospective at Arthur Ross
Where’s That Other Eakins Clinic Again?
Whatever happened to Penn’s Eakins masterpiece?
Portraits of a Time Behind Bars
What the bartender saw
Urban Studies
John Moore’s “rich palette of internal contradictions”
Fields and Forms of Color
Fine Arts tribute to Neil Welliver and Robert Slutzky
Cross Connections
An alumna artist re-imagines Christ’s Passion through the lens of present-day torture, terror, and tragedy.
Parrish Paradise
Maxfield Parrish and the American Imagists
The Art of Life
Sam Maitin FA’51, the beloved Philadelphia artist and Gazette stalwart, left behind an extraordinary body of work, a loving family, devoted friends, and many, many memories.
Color Their World
Colorful catalyst Ruth Lande Shuman CW’64
Force of Life
Stuart Yankell CGS’85 GFA’88
Visionary Art
A shaman-artist’s yarn paintings feature brilliant colors, dreamlike imagery, and rich cultural significance.
Picture This
Art From the Undergrad
Pie From the Sky
Artist Elizabeth Myers Castonguay FA’78 paints “America the Flavorful.”
Emeritus Professor, Emerging Painter
Former SAS Dean Rosemary Stevens’ “parallel career” as a painter.