May|June 2017[...]
PennDesign’s Orkan Telhan’s “signature” work.[...]
Woodmere Art Museum director William Valerio G’87 WG’04.[...]
Scott Neustadter C’98’s latest screenplay is The Masterpiece.[...]
A life of Kahn. You Say to Brick.[...]
Erica Armstrong Dunbar C’94 wrote about Ona Judge’s escape from slavery.[...]
Signs of the times in Cuba.[...]
What $22 million in Annenberg fellowships accomplished in 10 years.[...]
Big data and the Bard: what’s in a the, or and, or with, or or? [...]
The Annenberg Center’s new director Christopher Gruits.[...]
Meet the Penn alumna who opened for Wayne Newton this month in Beverly Hills—and see footage from her performance.[...]
Jason Tang C’17 and Swarthmore student Izzy Kornblatt make the case in an on-campus exhibition. [...]
Cultures in the Crossfire
A new exhibition at the Penn Museum considers what is at stake when cultural heritage is destroyed in a war-torn region.[...]
Cinema studies faculty came together Wednesday afternoon to talk about this year's Oscar race.[...]
Elaine Simon’s photographs “capture the stages of demolition as a way to remember the site and make a statement about cycles of destruction, displacement, and development.”[...]
Landscape/Soundscape at the Arthur Ross Gallery [...]
Alumni writers dig up their satiric LA-earthquake novel.[...]
An “extraordinary evening” at the Penn Museum.[...]
A graphic-memoir of healing through dementia in Aliceheimer’s.[...]
March|April 2017[...]